Metal

Sometimes it’s nice to think about labels gone by. Back in their day (1996-2010), Ferret Music were tastemakers in the metalcore and hardcore scenes, occasionally reaching beyond that. Though it’s been nearly 30 years since some of the label’s first releases, many are still relevant today. Here are five times Ferret Music got it right.
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For over two decades, Tankcrimes has been one of the underground metal and punk scene’s most consistent labels, putting out records from established bands like Municipal Waste and Fucked Up (plus long defunct powerviolence staples like Spazz and Dystopia) as well as still-growing artists like Dead Heat, Necrot and Brainoil. The Tankcrimes family will be reunited this
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FLESH SALE: From now until tonight at 11:59 ET, all domestic Decibel subscription options—monthly, yearly, deluxe, standard, new, renew, all of them!—are 20% off! Why are you still reading this?! Subscribe now! NOTE: Offer only valid for subscriptions within the United States of America. That’s what domestic means. Originally Posted Here
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Where they from? Oakland by way of Indonesia. The Super Bowl was this past weekend. I put $50 on Kansas City, took the over and I lost by ONE GOD DAMN POINT! There is no greater sign that god hates you then losing a parlay by a single point. Everything is rigged, everything is canceled.
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Denver is a hotbed for metal right now—ask us how we know!—and its next export is Our Grief is Thus, the second album from Pagan folk/death metal outfit Oak, Ash & Thorn. As you’ll hear on the song “Auras,” video streaming below, the quartet deal in a very melodic style of death metal, using sung vocals, bright
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New York City is definitely known for being overrun by rats, and you can add Brooklyn psych doom cult Castle Rat to the infestation. This retro-sounding quartet—Riley Pinkerton (vocals/guitar/”Rat Queen”), Franco Vittore (lead guitar/”Count”), Ronnie Lanzilotta III (bass/”Plague Doctor”), Josh Strmic (drums/”The All-Seeing Druid”)—have conjured a brand new video for the slow-building, doomy track, “Cry For
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Nu-metal collided with evil disco in New Jersey over the weekend, as the third leg of Static-X‘s ‘Machine Killer Tour’ hit the Starland Ballroom in Sayreville. Along with co-headliners Sevendust, they ruled the stage after openers Dope and Lines of Loyalty got things warmed up. There’s still a few more days left in this current
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Death metal quartet Aberration hail from Minneapolis but their music sounds like it comes straight from Hell. They are locked and loaded to release Refracture, their first proper full-length, which arrives next month. The album information lists Portal, Antediluvian and Altarage as reference points but what Aberration play is more twisted than that; take a listen to “Interstitial
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Cleveland-based crossover hardcore group Punching Moses released a new single and video called “Escape the Mausoleum” off their upcoming sophomore album Live Short and Suffer which is due out March 8 from Seeing Red Records. The song—which will be the album’s closing track—and the accompanying music video both pay homage to the classic 1979 horror
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