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`,forceHttps:“,prod:“}[t]||””}}let P;”undefined”!==typeof window&&window.TSM&&window.TSM.adApi?P=window.TSM.adApi:(P=new _,”undefined”!==typeof window&&(window.TSM=window.TSM||{},window.TSM.adApi=P));const O=”.tsm-ad”;function A(t){const e=[];return t&&1===t.nodeType?(t.matches&&t.matches(O)&&e.push(t),t.querySelectorAll&&e.push(…t.querySelectorAll(O)),e):e}function I(t){window.googletag.cmd.push((()=>{window.pbjs?window.pbjs.que.push(t):t()}))}function E(t,e,r,o){const{adGroup:n,adUnit:s}=e;window.googletag.cmd.push((()=>{const{id:i,adSlot:a}=function(t,e){const{adUnitPath:r,targeting:o,adUnit:n}=t,{gptParams:s={}}=e;let i=t.slotId,a=window.TSM.adSlots[i];return a?{id:i,adSlot:a}:(“tsm-out-of-page”===n||s.outOfPage?a=window.googletag.defineOutOfPageSlot(r,i):”interstitial”===n||s.interstitial?(a=window.googletag.defineOutOfPageSlot(r,window.googletag.enums.OutOfPageFormat.INTERSTITIAL),a&&(i=a.getSlotElementId())):a=window.googletag.defineSlot(r,s.slotSize,i),a?(window.TSM.adSlots[i]=a,a.addService(window.googletag.pubads()),o&&Object.keys(o).length&&a.setConfig({targeting:o}),{id:i,adSlot:a}):{id:i,adSlot:null})}(e,r);a&&(window.googletag.display(a),t.maybeApplyRoxotTargets(),r.callbacks&&r.callbacks.slotRequested&&r.callbacks.slotRequested.constructor===Array&&r.callbacks.slotRequested.length&&t.addSlotRequestedEvent((t=>{const{slot:e}=t;if(e.getSlotElementId()===i)for(let t=0;t{let t=function(t,e,r,o){let n=!1;if(o.hasConfig)return!1;if(window.pbjs&&window.pbjs.adUnits&&window.pbjs.adUnits.constructor===Array){if(t.pbjsCode){const o=(window.pbjs.adUnits||[]).find((e=>e.code===t.pbjsCode));if(o){const t=JSON.parse(JSON.stringify(o));let n=new RegExp(t.code,”g”),s=new RegExp(“{{adUnit}}”,”g”);return JSON.parse(JSON.stringify(t).replace(n,r).replace(s,e))}}for(let t=0;t{window.pbjs?t.refreshSpecificPrebid([e]):window.googletag.pubads().refresh([window.TSM.adSlots[e]])}))}(t,i))}))}const T=function(t){if(“undefined”===typeof window)return;if(window.TSM=window.TSM||{},window.TSM.adSlotObserverInitialized)return;window.TSM.adSlotObserverInitialized=!0,window.googletag=window.googletag||{cmd:[]},window.googletag.cmd=window.googletag.cmd||[],window.TSM.adSlots=window.TSM.adSlots||{};const e=new WeakSet;function r(r,o){if(e.has(r))return;e.add(r);const n=function(t){const e=t.dataset||{};let r={};try{r=e.targeting?JSON.parse(e.targeting):{}}catch(t){r={}}return{slotId:e.slotId,adUnit:e.adUnit,adGroup:e.adGroup||””,adUnitPath:e.adUnitPath||””,targeting:r}}(r);if(!n.adUnit||!n.slotId)return;const s=t.unitConfigs[n.adUnit];s&&E(t,n,s,o)}function o(e){const r=e.dataset&&e.dataset.slotId;r&&window.TSM.adSlots[r]&&window.googletag.cmd.push((()=>{window.googletag.destroySlots([window.TSM.adSlots[r]]),delete window.TSM.adSlots[r],t.unregisterAdSlot(r)}))}const n=[];A(document.documentElement).forEach((t=>{r(t,(t=>{n.push(t)}))})),I((()=>{n.length&&(window.pbjs?t.refreshSpecificPrebid(n,!0):window.googletag.pubads().refresh(t.getSlotsFromIds(n)))})),new MutationObserver((t=>{t.forEach((t=>{t.addedNodes.forEach((t=>{A(t).forEach((t=>r(t,null)))})),t.removedNodes.forEach((t=>{A(t).forEach(o)}))}))})).observe(document.documentElement,{childList:!0,subtree:!0})};T(P)})()})(); View Original Article Here
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Tyga isn’t denying the AI allegations. The West Coast rapper talked to VIBE recently about his ’80s-inspired $tarface alter-ego and the self-titled album it spawned, which has been suspected of being produced with the help of artificial intelligence. The speculation is now over, as he’s admitted to utilizing an AI music generator for things like
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It’s been 30 years since The Fugees released their landmark album The Score. The no-skips hip-hip classic featuring such beloved tunes as “Killing Me Softy,” “Fu-Gee-La” and “Ready or Not” changed the game in its time and then … nothing. Explore See latest videos, charts and news Hill famously released her first, and so far
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Greetings,Decibelreaders! We have some very prominent new releases today, including a couple bands that have played a major role in shaping their respective styles of music over the last couple decades. But we also have some really scary, avant-garde, and brutal stuff to show you as well. I’m sure you’ll like at least something you
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Aaron Turner will probably go to his grave before revealing specifics on the concept behind Celestial. Turner and the rest of his bandmates are unified in believing that the work of deconstructing towers and deciphering sgnls is best left to the listener. That said, the towers referenced on four of the songs on Celestial (and
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Stream “TEA” here – https://rema.lnk.to/TEA Official Website: https://heisrema.com/ Follow Rema https://www.instagram.com/heisrema/ https://www.facebook.com/heisrema Posts by heisrema © 2026 Mavin Global Holdings Ltd / Jonzing World Entertainment, distributed by Interscope Records and UMG Commercial Services
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Our sophomore album ‘Therapy At The Club’ is out now 🥹 https://flo.lnk.to/TherapyAtTheClub Stream ‘Leak It’ here: https://flo.lnk.to/LeakIt Follow FLO Instagram – https://www.instagram.com/flolikethis/ TikTok – https://www.tiktok.com/@flolikethis X – https://x.com/flolikethis Facebook – https://www.facebook.com/flolikethis Snapchat – https://www.snapchat.com/add/flolikesnap Sign up to FLO’s mailing list: https://flo.lnk.to/signupID Check out our store: https://flo.lnk.to/store & Join the World of FLO: https://discord.com/invite/flo Credits: Credits:
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The sequel to Michael is officially set to start filming later this year. READ MORE:‘Michael’ review: safe, shiny reminder of the King Of Pop’s musical genius Lionsgate’s motion picture chief Adam Fogelson has told Variety that the studio hopes to begin production on the second part of the biopic in late 2026 or early 2027,
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‘I Know Too Much’ – my new album, coming 4th of September. Pre-order: http://elliegoulding.lnk.to/iknowtoomuchID —————— Director: Sean Price Williams Producers: Chris Abitbol, Jeffrey Schroeder, Thea Charlesworth Production Company: Grand Nature, TheArcade —————— Listen to / download ‘Ravers’: http://elliegoulding.lnk.to/raversID —————— Follow Ellie Goulding: Instagram: https://instagram.com/elliegoulding TikTok: https://tiktok.com/@elliegoulding Spotify: https://open.spotify.com/artist/0X2BH1fck6amBIoJhDVmmJ?si=ob5WQBNQTUex6yFXB5qJsg Apple Music: https://geo.music.apple.com/artist/ellie-goulding/338264227 Facebook: https://facebook.com/elliegoulding X: https://x.com/elliegoulding
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Denver-based metal outfit Takipnik have officially unleashed their blistering new single “Condemned” alongside a high-production, cinematic music video. Serving as the explosive first taste of a forthcoming larger release, the track marks a bold, heavier evolution in both sonic delivery and emotional intensity for the band. Captured live at Evergroove Studio by long-time collaborators Brad
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Listen to “Don’t Leave Me on the Dance Floor” out now: https://CarlyRaeJepsen.lnk.to/DanceFloor Presave ‘Day and Night’ out on September 18th: https://CarlyRaeJepsen.lnk.to/DayandNight Preorder the collection: https://CarlyRaeJepsen.lnk.to/store Follow Carly Rae Jepsen: Instagram: https://www.instagram.com/carlyraejepsen Facebook: https://www.facebook.com/Carlyraejepsen TikTok: https://www.tiktok.com/@carlyraejepsen Twitter: https://x.com/carlyraejepsen YouTube: https://www.youtube.com/user/CarlyRaeMusic Lyrics: I’ve been all of your desires I’ve been a good and been a bad girl
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