Opening with a dark orchestral-sounding piece, “Inimica Malevolentia,” that wouldn’t be out of place in a David Lynch movie, the fifth album from Long Island, New York quartet Dimentianon is as twisted as the intro would suggest. Deeper into Chapter VI: Burning Rebirth, the band’s—M (vocals), Joe Fogarazzo (guitars/bass), Don Zaros (keyboards), Matt Hass (drums)—true
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The 1970s was a tumultuous time, full of upheaval on many fronts, from the end of the Vietnam War to the dawn of personal computers. It makes sense that its music had a similar helter-skelter feel. The early ’70s were a musical melting pot where genres like rock, reggae, funk, and pop could coexist. Ingenuity
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Every relationship has its secrets. Some are more significant than others, and when Hannah’s husband disappears, leaving only a terse message behind, “Protect her,” she must team up with Owen’s daughter, Bailey, to discover the truth of his disappearance. This sets up a situation in which Bailey must rely on and trust the stepmother she
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Kenyon Dixon has released the official video for his new single “Slow Dancing” featuring Kincy.  The retro visual features Dixon chilling out and getting cozy with a foxy lady in a vintage pad with an in-house band. Other guests are also getting their groove, while Dixon and Kincy eventually link up for vibes. Dixon released
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Griffen Palmer “Unlearn” If you grew up in a broken family, Griffen Palmer‘s “Unlearn” will emotionally hit you like a ton of bricks. Powerfully encapsulating “three chords and the truth,” the midtempo tune spotlights Palmer’s struggle to reconcile his painful past with a beautiful reality. Because he grew up in a broken home with divorced
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ARMYs and Beliebers alike are panicking after BTS‘ Jungkook was spotted working with Justin Bieber‘s producers Sunday (April 9). Bieber’s notorious manager Scooter Braun and BTS’ company CEO Bang Si-Hyuk both posted photos from the studio where Jungkook was seen working with producers Andrew Watt, Cirkut and Jon Bellion. “It is always fun to witness history.
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