Metal

Japanese multi-instrumentalist Kosuke Hashida, best known for his work with death metal/hardcore outfit World End Man, is back with his second album in two years. Following up 2024’s Justifiable Homicide, new album Outrage picks up on a similar page, dishing out 11 tracks of grindcore and death metal. There aren’t many frills to be found on Outrage; Hashida
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Where they from?Belgium. Due to travel plans, I am writing this entry exactly two hour before the Chiefs and Eagles play in the Super Bowl. Because of this I have to guess what will happen in the big game. OK, so here it goes: Wow! I can’t believe the Kansas City Chiefs are the first
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Progressive death metal lunatics Pyrrhic Salvation—a multi-state collab—are back with a new 20-minute EP, When Society Crumbles, which includes the title track divided into three expansive parts and an additional track, “Every Last Soul Unmade.” The EP is a rush of terse and atonal death metal peppered with quieter melodic moments. It’s performed by a trio of
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Copenhagen’s Phrenelith has been among the finest purveyors of death metal in recent years. They, among many Danish counterparts, have garnered acclaim and notoriety for their fierce and festering styles of extreme metal. The band is over three years removed from their last full-length album, Chimaera–plenty of time to flesh out how their third full-length, Ashen Womb, would
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Greetings, Decibel readers! At the beginning of every year, I create a new playlist called “[Current Year] Essentials.” This serves two purposes: in the short term, it helps me keep track of favorites to suggest for Decibel‘s end of year list; and in the long term, it makes it easy for me to revisit those
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Visceral have dropped a new track, “Where the Wretches Are,” from their new album Eyes Teeth and Bones, out April 4 via Raging Planet Records. Check out the very heavy debut single from the album below. “With Eyes, Teeth and Bones, we wanted to push everything further—faster, heavier, and more intense. We made sure every riff, every
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It’s been a long, long time since noise rock pioneers Season to Risk released new music (2001, to be exact, when they wrapped up a four-album run including two records on Columbia), but the Kansas City crew reformed for the live stage last year and are ready to pick up where they left off. Their new album,
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Imagine how dark and cold it is in Sweden right now. While you’re mulling that frigidness over, have a listen to the new single, “Trenches,” from sludgy Swedish  post-metal trio, Kazea, who offer up a chilly, bleak musical landscape, punctuated by tense guitar thrum and understated vocals. The band—Rasmus Lindblom (bass/synth), Jonas Mattsson (vocals/guitar), Daniel Olsson
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TÓMARÚM (Photo by Vizions of Mize) Progressive black metal duo Tómarúm have never shied away from pushing their sound—or themselves—to the limit. Their 2022 debut, Ash in Realms of Stone Icons, was a dizzying display of technicality and catharsis, but with their newly announced album, Beyond Obsidian Euphoria, the band sets out on an even
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Italian black metal outfit Sakahiter have existed for more than 20 years in the underground but Samnite Black Metal is their first full-length album in that time, coming after a series of demos and EPs (plus a 17-year break). As the album title suggests, Sakahiter explore the history of the Samnites, an ancient Italic people who were later subjugated
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We’re just two months away from the return of Magazine Metal & Beer Fest: Philly—the world’s loudest, heaviest, headbangingest, two-day craft beer event—so it’s time to make those Spring weekend plans NOW! Swedish death metal legends Dismember will headline the first night with an exclusive performance of their 1991 landmark album, Like an Ever Flowing Stream (plus other choice
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Chicago blackened death metal outfit Marrowomb is the brainchild of one Frank Lato, who handles the guitar, bass, synth and vocal duties in the band alongside session drummer Kevin Paradis (Benighted). The resulting product is Phisenomie, Marrowomb’s debut album, a potent concoction that walks the line between technical, symphonic and classic death metal. Though Phisenomie doesn’t come out until
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