Metal

Toronto sludge crew Pyres have taken a long journey to get to their second album, Yun. The follow-up to their last release, first album Year of Sleep in 2013, Yun is a testament to Pyres’ resilience, the band overcoming grief, lineup changes and a years long hibernation to get to this point. Yun will officially be released on March 7 via Hypaethral Records but

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Photo courtesy of All Against All Against are releasing their new album, Straight Down To Hell, on March 14 via Raging Planet. Before it officially drops, you can check out the video for “Out Of The Box” to get a preview. The album was recorded and mastered at Nox Messor Sound Studios, and promises to

On a gray, overcast winter Friday in Austin – Super Bowl weekend and still 70 degrees easy – trucks encircle the Crow’s Nest like Stephen King filming Maximum Overdrive. Scorpion Child himself, frontman Aryn Jonathan Black, pulls up near 10 a.m. in a flurry of hair, tattoos, and a bar owner’s exhaustion and anxiety. I

And the gnarliest song title this week goes to Philly death metal grunt mob Moros, whose new track, “Pulling Off Leeches,” we’re, uh, bloody thrilled to premiere. The trio of Jason Dost (guitar/vocals), John Hauser (bass/vocals) and Mike Howard (drums) pair their revolting song title with equally gut-churning sludgy DM and ranting-lunatic vocals that sound like

New York City mathgrind trio Thin are back with their latest release, The Overlapping Nature of Things. A fast and brutal EP, Thin use the six songs to traverse new sonic territory with the same frantic energy. In addition to the core of technical grind, the trio pull from death metal, screamo and sharp noise

Japanese multi-instrumentalist Kosuke Hashida, best known for his work with death metal/hardcore outfit World End Man, is back with his second album in two years. Following up 2024’s Justifiable Homicide, new album Outrage picks up on a similar page, dishing out 11 tracks of grindcore and death metal. There aren’t many frills to be found on Outrage; Hashida

Where they from?Belgium. Due to travel plans, I am writing this entry exactly two hour before the Chiefs and Eagles play in the Super Bowl. Because of this I have to guess what will happen in the big game. OK, so here it goes: Wow! I can’t believe the Kansas City Chiefs are the first

Progressive death metal lunatics Pyrrhic Salvation—a multi-state collab—are back with a new 20-minute EP, When Society Crumbles, which includes the title track divided into three expansive parts and an additional track, “Every Last Soul Unmade.” The EP is a rush of terse and atonal death metal peppered with quieter melodic moments. It’s performed by a trio of

This week on The MetalSucks Podcast, Lacuna Coil vocalist Cristina Scabbia joins the show! She’s here to discuss the band’s latest album Sleepless Empire coming out this Friday, Feb. 14! We discuss if there was any plans for releasing the album on Valentine’s Day, the challenge of creating after the experience they had with previous

Now this is the type of parrot I’m down to hear continuously squawking. Australian grindcore band King Parrot has been relatively quiet the last few years, but they’re back baby! Yay! They’re releasing their first full-length album since 2017’s Ugly Produce and 2020’s Holed Up in the Lair EP. They’re calling it A Young Person’s

Coltsblood (Photo by Adam Clarkson) Few bands summon the abyss like Coltsblood. Their sound is less music than it is an immovable force, a seismic shift beneath the surface of doom metal. With Obscured Into Nebulous Dusk, their upcoming LP on Translation Loss Records, the UK trio honors their roots while carving out a path

The day after Christmas 2024, the co-nerds of Kill Screen received a text message from Decibel editor-in-chief and notable not nerd Albert Mudrian: “Contents of my Out of Season package”. Attached was a photo of his haul, made up of a copy of Mortiis’ Født til å herske on vinyl, a black-on-foil sticker branded with

Copenhagen’s Phrenelith has been among the finest purveyors of death metal in recent years. They, among many Danish counterparts, have garnered acclaim and notoriety for their fierce and festering styles of extreme metal. The band is over three years removed from their last full-length album, Chimaera–plenty of time to flesh out how their third full-length, Ashen Womb, would

Greetings, Decibel readers! At the beginning of every year, I create a new playlist called “[Current Year] Essentials.” This serves two purposes: in the short term, it helps me keep track of favorites to suggest for Decibel‘s end of year list; and in the long term, it makes it easy for me to revisit those

Visceral have dropped a new track, “Where the Wretches Are,” from their new album Eyes Teeth and Bones, out April 4 via Raging Planet Records. Check out the very heavy debut single from the album below. “With Eyes, Teeth and Bones, we wanted to push everything further—faster, heavier, and more intense. We made sure every riff, every

It’s been a long, long time since noise rock pioneers Season to Risk released new music (2001, to be exact, when they wrapped up a four-album run including two records on Columbia), but the Kansas City crew reformed for the live stage last year and are ready to pick up where they left off. Their new album,

In 2018 Finnish stoner metal sensations Kaiser released their debut album, 1st Sound. Any guesses as to what’s coming down the pipeline on March 7th with 2nd Sound? Anyone…? Anyone…? With a sound that stands tall and proud in the centre of the sun-baked desert fuzz/soulful British electric blues/thunderous doom thrash Venn diagram, the trio

Imagine how dark and cold it is in Sweden right now. While you’re mulling that frigidness over, have a listen to the new single, “Trenches,” from sludgy Swedish  post-metal trio, Kazea, who offer up a chilly, bleak musical landscape, punctuated by tense guitar thrum and understated vocals. The band—Rasmus Lindblom (bass/synth), Jonas Mattsson (vocals/guitar), Daniel Olsson

TÓMARÚM (Photo by Vizions of Mize) Progressive black metal duo Tómarúm have never shied away from pushing their sound—or themselves—to the limit. Their 2022 debut, Ash in Realms of Stone Icons, was a dizzying display of technicality and catharsis, but with their newly announced album, Beyond Obsidian Euphoria, the band sets out on an even